I previously shared a portrait study I was working on. Here are some more details to that. I was surprised to learn how much red is in this painting. I am always done with this one, and although it is not exact, I am okay with it because I have learned so much. I plan to do more of these in the future.
Here are some of the steps: Drawing and “Dead Coloring Stage”
I started this painting a few years ago and decided to re-work some of the sky. I was inspired by William Turner’s dramatic skies. I wanted to apply the same concept with wetlands. I love the idea of creating something new and from the imagination.
This is a copy of an Old Master’s self-portrait. I began this using the glazing method as taught at ARC, Boston. I still have two or three layers to go, but really happy with the glazing method so far. I usually work in alla prima and try to complete more during the first passes. However, working slowly step by step has taught me so much.
I have not painted with a acrylic for some time. I really like how expressive I can be because of the quick drying time. I also love the vivid colors. It is certainly different from oil which leaves a more delicate finish. I was wanting to do something bold and fun.
Thanks to those who have been following my work! It really pushes me to continue in what I do.
If you are familiar with my work, you know that I have a fascination with wetlands and a respect for these precious and overlooked areas. I wanted to capture a serene ambiance. With all the events of this past year, I want to represent peace and hope in my art.
I have also started a new Instagram page @vanessa_withun_art
Please follow if you are on Instagram! I will be sure to follow back. 🙂
I decided to use chiaroscuro, once again, for this oil painting. It is hard to capture everything in a photo due to the size. My recent project has been focused on trying to depict the seven different types of love described in Greek. I love combining Classical Realism with more contemporary styles. As we know, love is not one thing. You have love of self, love between friends, lovers, and more! This one is based on Philautia, or self-love.
See more: http://www.vanessawithun.com
I received a pink carnation flower for Mother’s Day and decided to pair it with some green apples. I arrange my still life as if it were a landscape–with depth and movement.
See more: www.vanessawithun.com
In a world dominated by galleries representing contemporary styles in art, it is an overwhelming decision to know where to begin when it comes to selecting an artistic style. The truth is I am equally inspired by artist like Jean-Michel Basquiat as I am by artists like Rembrandt and Monet. I think there is room for all kinds of artistic expressions because art represents a unique voice and a statement. People paint for different reasons and in different ways. My first encounter with art was actually from my relatives who painted in a more “contemporary” form. One was a graphic artist/designer, and the other is a graffiti artist. Notice I put quotes on the term “contemporary.” The truth is, any art done recently is in fact contemporary. I decided to call myself a Contemporary Realist because I am influenced by many styles of art and have integrated them into my work. In fact, I am inspired by art from many cultures.
My art will never look like those done in the Renaissance or those painted in another time period. However, I have chosen to train in the Classical Realist style. The reason for this is because I was always drawn to strong shapes and contrast in art. I also love the challenge. I know when I copy older drawings and paintings, I am pushing myself to learn from them. I love structure in painting, but I am also drawn to representational art that tells a story. I love chiaroscuro used by painters like Velazquez and Caravaggio and I am excited by the challenge of depicting the movement of light. I also love Classical Greek Literature and philosophy, which have inspired me to look at art and beauty differently.
When I first began my artistic journey, I was attracted to Representational art, specifically to the more Classical style, which is classified as Western art. I studied from several people who painted from life and in a more traditional way. There are quite a few painters today that have embarked in this journey, however, very few I know are Black or Afro-Latina. Although I enjoy this style for my own personal reasons, I know that there is power in who I am and who I represent. I don’t want anyone to ever say to me that the color of my skin, gender, or any other socially constructed identifier prevents me from painting a certain way and pushes me to paint in any other way. We are only free when we can paint how and what we want regardless of who we are.
See more: www.vanessawithun.com