Untouchable: Oil on 12″ x 9″ Linen Panel

Oil on 12″ x 9″ Linen

This painting is based on a beautiful photo taken by my husband. I was present when he took it, so I was able to absorb some of the scenery. I added my own touch, of course. I asked people on FB and Instagram to give me a name suggestion, and someone suggested the name “untouchable.” I really liked the touch of irony in the name as I attempt to draw you in with the textures.

My reflection for this painting is to continue to pursue what makes you happy!

I’ve gotten asked several times by people why do I paint given my background. Honestly, I don’t have a good answer. I was in the Army, have gone to nursing school, and hold two bachelor degrees, but I chose to pursue art out of the many things I could have done. I think art was always in me. I had several relatives that were artist, and my uncle is a well know graffiti artist (No it’s not Banksy!). I grew up in Bronx, NY in what you would consider a “rough” area with a single mom, and was able to get through college on my own. It wasn’t until later in life that I began to draw. It took a couple of years to call myself artist, but five years into my art journey, here I am doing this and with no compulsions to quit. I hope that my art and words inspire someone to not give up, and to pursue what makes them happy despite what others think.

This painting and a few others are now available for sale on my website. Simply click and scroll down to the painting: https://vanessawithun.com/

Sunflowers: Oil on 8” x 8” panel

I painted this one a few months ago with acrylic. Today, I decided to go over some of the painting with oil. There are certainly more textures, and there is a bit more realism. I’m actually happy with the turnout. The combination of acrylic and oil allows me to take advantage of both mediums. Although I prefer oils, I sometimes paint my under-paintings with acrylic for faster drying time and better coverage.

I was able to find a frame for this one, so looking forward to this drying. Will also be making this available on my website soon!

I’ve actually decided to put some of my work for sale on my website with a payment option. Shipping is free in the United States. 😊

Purchase here: https://vanessawithun.com/still-life/

Through Hills in Tuscany (Commission) 20″ x 40″ Canvas

This painting took me over a month to complete and is one of the largest I have painted thus far! I was able to get some progress shots, which I frequently forget to do.

Progress shot 1: Here I applied a coat of Gesso and toned the canvas.

Progress 1

Progress Shot 2:

I did the initial block in and filled in the “overall” color, or main color of each sections. Here I made sure to keep the back light and cool. Of course this looks like it could be a painting on its own, but the person wanted more Realism.

Progress 2

Here is more work after adding in more details. I wanted to make sure that one could see where the sunlight was coming from. I also began focusing on the shadows and various textures of the vegetation.

Progress 3

Overall, I enjoyed painting this landscape and I am looking forward to this being in its future location at a school in my city.

Temptations: Oil on 9″ x 12″ on Arches Paper

I have not posted in a while as I have been super busy with homeschooling and family life. Life today is a bit hectic, as we all know. I hope everyone is safe and sound despite all of the craziness! Those of my friends not in the United States probably understand the craziness happening in this part of the world!

All in all, I feel blessed to be alive and healthy. I managed to continue forward with two shows this year–One group show in August, for the Vision for Art in Jacksonville, Florida and a solo show at the JEA gallery in Savannah, Georgia in November.

I recently have been playing around with painting on oil paper. This was painted on Arches Oil Paper, which is really one of the best oil papers I have used. It did not bend or buckle as some other papers do. It also frames well using matting or panel. The paper is really thick and no priming is required. I did add a layer of Gesso and taped to a panel to keep it from buckling.

Has any one else painted on oil paper, or has experience with painting on surfaces other than the traditional canvas?

Thanks to those who have taken the time to read my posts! I hope you stay safe!

www.vanessawithun.com